Therefore, as a staunch believer in the power of technology, I did a lot of research on which workflow, which combination of software and hardware can free the designers from the shackles of traditional tools and supplies, yet still able to create convincing hand drawn images that are devoid of the typical ‘processed’ look we see in most of the ‘digital arts’ today. Whenever I get to visit the meticulous setup of certain artists’ studio or hear them geeking out about the subtle differences among various brands’ watercolor tubes or brushes, as much as I admire their dedication to the craft, I cannot help but feel discouraged. The reason behind this obsession of mine boils down to my phobia towards the expensiveness and vastness in the variation of the traditional art supplies. I have always been interested in finding the perfect workflow that could allow the designers to produce images that possess authentic hand-drawn qualities digitally, preferably all within one single piece of software.
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